A Debut Y.A. novel

in the querying trenches


The wild knows no enemies,
Only allies in disguise.

sudden sisters by
r.m. lavender

Set against the stark backdrop of wilderness adventure and buried secrets, this upmarket YA psychological thriller explores power, trauma, and the unlikely friendship that might just save two girls’ futures.

stranded teens

An enemies-to-friends meets survival/adventure novel for young adult readers


Sudden Sisters
delves into themes of redemption, finding agency, and healing through unbreakable connection with another.

The Story . . .

Mae lives for painting landscapes. Jessica lives to find new ways to sabotage her favorite target—Mae. the eight-girl Junior Bio wilderness trip offers Mae a chance to paint real high-mountain scenes—if she can risk a whole seek trapped with Jessica.

On their first morning out, a small plane crashes into their camp, killing both teachers, injuring others, and disabling their bus. A young pilot is trapped in the wreckage, unconscious. Mae wants to help, but Jessica eyes his damaged radio—they have no cell service. Then she finds his hidden gun and stash of money—and takes them. As the group fractures, Mae struggles with past trauma: witnessing a violent assault on her mother. When the pilot recovers, she hears him threatening Jessica, and edges closer. Finding him holding Jessica at knifepoint, Mae charges in, saving her own tormentor—but leaving the pilot dead.

Now indelibly bonded, the girls agree to keep the truth buried. But once home, their secret tears them apart—until newfound insights drive them into bold action, to reclaim their lives.

About R.M. Lavender

A career in teaching and artmaking, and parenting a daughter, led Lavender to write stories about distinct, strong female protagonists who face rising complications in pursuit of driving needs. Characters’ past experiences condition their motivations, their decision making, and, ultimately, their growth and change.

Developing compelling fiction and screenwriting projects is in some ways much like the work of painting and sculpture—but with words invoking millions of mind’s eye images instead of singular ones made to invite multiple interpretations. “Painting with words” is a kind of collaboration—one that creates immersive reader experiences crafted simultaneously between the writer and reader.

Lavender was briefly represented by Michael Hamilburg until his passing, has earned finalist awards in three creative writing competitions, including one sponsored by the SCBWI, and was a semi- or quarter-finalist in four others. Also a realist painter, Lavender studied and practices the oil-on-panel techniques that were in use from the Renaissance through the 19th century, many of them originally developed by Leonardo da Vinci and shared with his apprentices in his Treatise on Painting. Lavender has also published several journal articles on art education and contributed a chapter to Garb: A Fashion and Culture Reader.

One | determination

Her hands sticky on the wheel, Mae takes another sharp curve way too tight as the clock in her mom’s old Volvo ticks down another minute she doesn’t have. 

Now, “Road Work Ahead.” Really—today, of all days? 

“Be here by eight a.m. sharp,” Mrs. Rooney warned. “No delays. Anyone who’s late will simply miss the trip.” 

Which could actually be okay, depending on how you look at it. All those Foxmoor faces, with their endless chatter and probing stares—just waiting to gawk at Mae. She wouldn’t mind at all missing that. Those girls think Mae Reynolds is so screwed up she can’t do the one thing everyone looks forward to most at Foxmoor—Mrs. Rooney’s famous Wilderness Week. 

Mrs. Rooney is the best, but her trip sounds more like an excursion with a bunch of girls who think “wilderness” is what happens when the gardener doesn’t show up. And with all eight girls from Junior Bio stuffed into one tent … how’s that supposed to work?

Yet Mae won’t miss this trip—her best chance to show them there’s a lot more to her than they saw on that one sickening day. If she doesn’t grab it, she’s toast at Foxmoor, for good. 

“Turn green, damn it,” she commands a traffic light, beads of sweat gathering on her forehead. “If I have to run after the bus as it leaves, they’ll all laugh their gorgeous heads off.”

She winds through a damn detour, then almost runs a stop sign. “This must feel like a racecar ride, Mom. I know it can’t be fun.”

Her mom’s knuckles go white as she grips her armrest. “It is hair-raising, I’ll admit. But I wanted to come see you off. Still, I do wonder …” Now she’s using her “I’m Just Concerned” voice, that Mae knows so well. “You’ve had to deal with so much at Foxmoor … should we have tried harder to find a different school? It was all you wanted, that last day of summer school.”

“The day of my freak-out-of-the-century, you mean. I really was done with Foxmoor.” Mae sighs. “Still am, actually.”

It’s all a blur … her final presentation on Leonardo, for European History. Within what should have been an easy half-hour, her weeks of research on his masterpieces—all wrecked.

Using their own unique brand of torment, Foxmoor’s snake-in-lip-gloss, Jessica, and her crew pushed every button Mae managed to keep un-pushed for years. They really hit it big that time. Now Mae has to figure out a way to live it all down. If there is one.

“I couldn’t have gotten to another school that quick, anyway. But remember, no law says I have to go to any school—at sixteen you can just take the GED and be done with it.” 

Her mom winces. “You know Dad and I think ‘testing out’ is too much like ‘dropping out’. It’s not something to rush into—not with your talent for art, and with Ms. Strand as a mentor. You’ve always said there’s no place better than Foxmoor, because of her.” 

“She really does know painting. And she gives me all the studio space I need, for any project. But some of those girls … they’re another story, to put it mildly.” Like the time Jessica and her two bitches, Chloe and Olivia, posted a pile of filth about Mae and some scuzzy guy they totally made up, then tweaked and reposted it for days. Somehow, she got through that hell. 

But their next one really came out of the blue. So soon after their cyber-bomb, it was one hit too many. How Mae ended up lying face-down in the grass under the bleachers, where Ms. Strand found her, she had no clue. Or when the Psych Emergency Team took her away.…


Other Projects

Other Projects

Outlined or In-Progress

  • Several YA stories focusing on redemption, finding agency, and discovering true identity, including:

  • Shades of Indigo. A YA survival/adventure drama, including Sudden Sisters’ main characters, Mae and Jessica, and introducing Indigo, who’s new to Foxmoor School for Girls.

  • The Golden Boy. (A novel for the adult fiction market) A Pacific Northwest timber-man loses his young son in a river accident, and finds his only solace in carving large wooden figures. When he is ‘discovered’ by a vacationing art dealer who draws him into the New York art world, his inspiration is nearly destroyed by the trappings of his remarkable success. Ultimately, he's forced to choose between two very different worlds.

Screenplays

  • Latude. Based on the true story of a pre-revolutionary French man wrongly imprisoned for 27 years, this historical drama includes two prison escapes—one of which historians have called “the most daring in history”—and features a remarkably noble-hearted woman whose tireless determination aids Latude’s struggle for freedom.

  • No Turning Back. A contemporary suspense-drama about a group of teen girls stuck in the wilderness after a cataclysmic event kills their teachers, leaving two antagonists to confront nature, overcome the clash of a lifetime, and liberate themselves emotionally. (The inspiration for the YA novel, Sudden Sisters.)

  • The Golden Boy. A contemporary romantic drama about a timber-town folk artist who’s discovered by a vacationing art dealer, only to become a New York art world sensation.  When the source of his inspiration is all but destroyed by his own success, he must face his wrenching past, and choose between newfound fame and true love.

Awards and honors

  • Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2012, No Turning Back - Novel

  • Third Place, 5th Annual IndieProducer Screenwriting Competition, 2007, The Golden Boy - Original Screenplay

  • Finalist, SCBWI Kimberly Colen Memorial Grant, 2006, No Turning Back - Novel

  • Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2006, No Turning Back - Novel

  • Quarter-Finalist, 11th Annual Writers Network Screenplay & Fiction Competition, 2004, Latude - Adaptation Screenplay

  • Finalist, 1st Annual IndieProducer Screenwriting Competition, 2002, No Turning Back - Original Screenplay

  • Quarter-Finalist, Nicholl Fellowship in Screenwriting Competition, 2002, No Turning Back - Original Screenplay

  • Finalist, Malcom-Vincent Screenwriting Contest, 1992, Latude - Adaptation Screenplay


Contact R.M. Lavender

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