A Debut Y.A. novel

in the querying trenches


With a friend like her, who needs enemies?

sudden sisters by
r.m. lavender

Set against the stark backdrop of wilderness adventure and buried secrets, this upmarket YA psychological thriller explores power, trauma, and the unlikely friendship that might just save two girls’ futures.

stranded teens

An enemies-to-friends meets high-stakes adventure for young adult readers


Sudden Sisters
delves into themes of redemption, finding agency, and healing through unbreakable connection with another.

The Story . . .

Mae lives for painting landscapes, and her eight-girl Junior Bio wilderness trip offers a chance to paint high-mountain scenes—if she can risk a whole week trapped with Jessica, who’s made her life hell for years.

Their first morning out, a small plane crashes into camp, killing both teachers, injuring others, and wrecking the bus. The young pilot is trapped inside, unconscious. Mae wants to help, but Jessica sees only danger. With no cell service, she tries his damaged radio, then secretly finds his gun and serious stash of money—and takes them. As the group splinters under Jessica’s dominance, Mae wrestles with flashbacks of a buried trauma triggered by the crash, and with a growing attraction to the recovering pilot. When she overhears him threaten Jessica, Mae edges closer. Finding him holding Jessica at knifepoint, Mae’s past comes roaring back, driving her to charge in and save her tormentor—leaving the pilot dead.

Now indelibly bonded, the two agree to hide what happened, fearing Mae could be charged with murder. Back home, she wrestles with the weight of their secret, while Jessica insists they stay silent forever. The conflict tears them apart—until, finally confronting the root of her anger, Jessica tracks Mae down, and together they act boldly to reclaim their lives.

About R.M. Lavender

A career in teaching and artmaking, and parenting a daughter, led Lavender to write stories about distinct, strong female protagonists who face rising complications in pursuit of driving needs. Characters’ past experiences condition their motivations, their decision making, and, ultimately, their growth and change.

Developing compelling fiction and screenwriting projects is in some ways much like the work of painting and sculpture—but with words invoking millions of mind’s eye images instead of singular ones made to invite multiple interpretations. “Painting with words” is a kind of collaboration—one that creates immersive reader experiences crafted simultaneously between the writer and reader.

Lavender was briefly represented by Michael Hamilburg until his passing, has earned finalist awards in three creative writing competitions, including one sponsored by the SCBWI, and was a semi- or quarter-finalist in four others. Also a realist painter, Lavender studied and practices the oil-on-panel techniques that were in use from the Renaissance through the 19th century, many of them originally developed by Leonardo da Vinci and shared with his apprentices in his Treatise on Painting. Lavender has also published several journal articles on art education and contributed a chapter to Garb: A Fashion and Culture Reader.

One | determination

Her hands sticky on the wheel, Mae takes another curve way too fast as the clock on the dashboard ticks down one more minute she doesn’t have.

Now orange cones, everywhere. Road Work Ahead. Really? Today, of all days?

“Be here by seven-thirty sharp,” Mrs. Rooney had warned. “No delays. Anyone who’s late will simply miss the trip.” 

Which could actually be okay, depending on how you look at it. All those Foxmoor faces, just waiting to stare at her like she’s a nutcase. She wouldn’t mind missing that. They probably think she’s so screwed up she can’t do the one thing everyone looks forward to all year, Mrs. Rooney’s famous Wilderness Trip. 

Mrs. Rooney puts all she’s got into teaching them about nature, but her trip sounds more like a week with a bunch of girls who think “wilderness” is what happens when the gardener doesn’t show up. And eight girls from Junior Bio stuffed into one tent, how does that work.

But actually skip the trip? Not a chance. It’s her best way to show them there’s more to her than they saw on that one horrible day. If she doesn’t grab it, it’s all over for her at Foxmoor, for good. Anyway, what can they pull off in a little campsite, where everyone’s together the entire time? Mrs. Rooney will have them all hiking every day, and studying the Latin names for plants in the evenings. Then she’ll probably quiz them each morning on all they learned the day before.

“Turn green, damn it,” she commands a traffic light. “If I have to run after the bus as it leaves, everybody on it will laugh their heads off.”

Her chest tightens as she winds through a detour, then almost runs a stop sign. “I know this can’t be fun, Mom. It must feel like a racecar ride.”

Mom grips her armrest so hard, she could break a knuckle. “It is a bit hair-raising. But I wouldn’t have missed seeing you off. Still, I wonder …” She’s using her “I’m Just Concerned” voice. “You’ve had to deal with so much at Foxmoor, shouldn’t we have tried to find a different school? You certainly wanted to, on that day.…”

“The day of my freak-out-of-the-century, you mean. I was done with Foxmoor.” Mae sighs. “Still am, really.”

It’s all a blur … her final presentation on Leonardo, for European History. Within what should have been an easy half-hour, her weeks of research on his masterpieces, all of it wrecked by Foxmoor’s snake-in-lip-gloss, Jessica. She and her crew, Chloe and Olivia, with their own unique brand of torment, pushed every button Mae had managed to keep un-pushed for years. Things didn’t turn out well—“freak-out” is putting it mildly.

And now she’s supposed to live that down? Good luck with that. 

Mae shakes her head. “I couldn’t have gotten into another school that quick. But no law says I have to go to any school. When you’re sixteen, you can take the GED and test out.” 

Her Mom winces at that—no surprise. “That sounds too much like dropping out, at least Dad and I think so. Besides, you always say Ms. Strand’s art classes are the best thing ever.” 

“She definitely knows painting. She gives me all the studio space I need, too, for my projects. But some of the girls at school are another story.” One she doesn’t need more of. Girls like Jessica and her bitches, who once posted a pile of filth about Mae and some scuzzy guy they totally made up, then kept tweaking it and reposting for days. 

Somehow, Mae got through that hell.But their next bomb broke what was left of her. She ended up sprawled face-down under the bleachers, with no clue how she got there. Or how Ms. Strand found her. Or when the Psych Emergency Team took her away.…

Other Projects

Other Projects

Outlined or In-Progress

  • Several YA stories focusing on redemption, finding agency, and discovering true identity, including:

  • Shades of Indigo. A YA survival/adventure drama, including Sudden Sisters’ main characters, Mae and Jessica, and introducing Indigo, who’s new to Foxmoor School for Girls.

  • The Golden Boy. (A novel for the adult fiction market) A Pacific Northwest timber-man loses his young son in a river accident, and finds his only solace in carving large wooden figures. When he is ‘discovered’ by a vacationing art dealer who draws him into the New York art world, his inspiration is nearly destroyed by the trappings of his remarkable success. Ultimately, he's forced to choose between two very different worlds.

Screenplays

  • Latude. Based on the true story of a pre-revolutionary French man wrongly imprisoned for 27 years, this historical drama includes two prison escapes—one of which historians have called “the most daring in history”—and features a remarkably noble-hearted woman whose tireless determination aids Latude’s struggle for freedom.

  • No Turning Back. A contemporary suspense-drama about a group of teen girls stuck in the wilderness after a cataclysmic event kills their teachers, leaving two antagonists to confront nature, overcome the clash of a lifetime, and liberate themselves emotionally. (The inspiration for the YA novel, Sudden Sisters.)

  • The Golden Boy. A contemporary romantic drama about a timber-town folk artist who’s discovered by a vacationing art dealer, only to become a New York art world sensation.  When the source of his inspiration is all but destroyed by his own success, he must face his wrenching past, and choose between newfound fame and true love.

Awards and honors

  • Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2012, No Turning Back - Novel

  • Third Place, 5th Annual IndieProducer Screenwriting Competition, 2007, The Golden Boy - Original Screenplay

  • Finalist, SCBWI Kimberly Colen Memorial Grant, 2006, No Turning Back - Novel

  • Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2006, No Turning Back - Novel

  • Quarter-Finalist, 11th Annual Writers Network Screenplay & Fiction Competition, 2004, Latude - Adaptation Screenplay

  • Finalist, 1st Annual IndieProducer Screenwriting Competition, 2002, No Turning Back - Original Screenplay

  • Quarter-Finalist, Nicholl Fellowship in Screenwriting Competition, 2002, No Turning Back - Original Screenplay

  • Finalist, Malcom-Vincent Screenwriting Contest, 1992, Latude - Adaptation Screenplay


Contact R.M. Lavender

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